Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations.
While musical and cultural change is normal, threats to attrition driven by large-scale external forces including sedentarisation and modernisation put strain on the systems of social relationships that have sustained Warlpiri cultures for millennia. Despite these concerns, songs remain key to Warlpiri identity and cultural heritage.
Vitality and Change in Warlpiri Songs draws together insights from senior Warlpiri singers and custodians of these song traditions, profiling a number of senior singers and their views of the changes that they have witnessed over their lifetimes. The chapters in this book are written by Warlpiri custodians in collaboration with researchers who have worked in Warlpiri communities over the last five decades.
Spanning interdisciplinary perspectives including musicology, linguistics, anthropology, cultural studies, dance ethnography and gender studies, chapters range from documentation of well-known and large-scale Warlpiri ceremonies, to detailed analysis of smaller-scale public rituals and the motivations behind newer innovative forms of ceremonial expression.
Vitality and Change in Warlpiri Songs ultimately uncovers the complexity entailed in maintaining the vital components of classical Warlpiri singing practices and the deep desires that Warlpiri people have to maintain this important element of their cultural identity into the future.
Georgia Curran is an anthropologist who has undertaken collaborative projects in Warlpiri communities since 2005. She is currently a research fellow at the Sydney Conservatorium of Music, University of Sydney. Linda Barwick is a musicologist collaborating with First Nations communities in Australia since 1985 and Italian communities since 1979. She is currently Emeritus Professor at the University of Sydney, Sydney Conservatorium of Music. Nicolas Peterson is emeritus professor of anthropology at the Australia National University. In conjunction with others he has written three land claims for the Warlpiri and two native title claims including for the heartland of Ngaliya Warlpiri people, Mt Doreen Station. Valerie Napaljarri Martin is a Director of PAW Media and Communications, based in Yuendumu, Central Australia. She has a Lifetime Achievement award for her contributions in the First Nations media sector. Simon Japangardi Fisher is a Director and Archives Researcher at PAW Media and Communications housed at Warlpiri Media Aboriginal Corporation, based in Yuendumu, Central Australia.
List of tables
List of images and figures
Foreword
Editors’ preface
Juju-ngaliya-patu
Chapter authors
Glossary of Warlpiri words
List of Warlpiri Jukurrpa
Chapter 1. Vitality and change in Warlpiri songs and ceremonies
Georgia Curran, Linda Barwick, Valerie Napaljarri Martin, Simon Japangardi Fisher and Nicolas Peterson
Rex Japanangka Granites
Harry Jakamarra Nelson
Otto Jungarrayi Sims
Chapter 2. Archiving documentation of Warlpiri songs and ceremonies on-Country at the Warlpiri Media Archive
Georgia Curran, Valerie Napaljarri Martin, Simon Japangardi Fisher, Elizabeth Napaljarri Katakarinja and Linda Barwick
Alice Nampijinpa Henwood
Paddy Japaljarri Sims
Chapter 3. A Warlpiri winter solstice ceremony: Performance, succession and the jural public
Nicolas Peterson
Tommy Jangala Watson
Thomas Jangala Rice
Barbara Nakamarra Gibson
Chapter 4. Dreaming to sing: Learning and dream creation in the Australian desert
Barbara Glowczewski and Barbara Nakamarra Gibson (translated by Georgia Curran and Nicolas Peterson from the original French)
Peggy Nampijinpa Brown
Ruth Napaljarri Oldfield
Coral Napangardi Gallagher
Chapter 5. Minamina yawulyu: Musical change from the 1970s through to the 2010s
Georgia Curran, Barbara Napanangka Martin and Linda Barwick
Fanny Napurrurla Walker
Nellie Nangala Wayne
Maisie Napurrurla Wayne
Chapter 6. Expert domains of knowledge in Ngurlu yawulyu songs from Jipiranpa
Fanny Walker Napurrurla, Linda Barwick and Mary Laughren, with contributions from Sarah Holmes Napangardi, Jessie Simpson Napangardi, Judith Robertson Napangardi and Theresa Ross Napurrurla
Peggy Nampijinpa Martin
Lucy Nampijinpa Martin
Chapter 7. Warnajarra: Innovation and continuity in design and lyrics in a Warlpiri women’s song set
Myfany Turpin, Megan Morais, Mary Laughren, Peggy Nampijinpa Brown and Helen Napurrurla Morton
Lorraine Nungarrayi Granites
Cowboy George Jungarrayi Ryder
Chapter 8. Reanimating Ngajakula: Lander Warlpiri songs of connection and transformation
Petronella Vaarzon-Morel, George Jungarrayi Ryder†, Teddy Jupurrurla Long, Jim Wafer and Luke Kelly
Dolly Nampijinpa (Daniels) Granites
Judy Nampijinpa Granites
Lynette Nampijinpa Granites
Chapter 9. To perform or not to perform the Ancestral Fire Dreaming from the Warlukurlangu ranges (Central Australia)
Françoise Dussart
Jerry Jangala Patrick
Chapter 10. Milpirri: A revitalisation movement, a purlapa or a festival?
Stephen Wild, Steven Wanta Jampijinpa Patrick and Yukihiro Doi
Index
“There is much a reader can gain from this volume: from inspiration about (re)vitalisation projects and insights into Indigenous/non-Indigenous collaborations; to how anthropology, linguistics, and music and dance studies can combine to illuminate the comprehension of Indigenous songs more brightly.” – Yasmine Musharbash, Oceania 2024
Format:
hardback
Size: 254 x 178 mm
Illustrations: Maps, family tree, photographs, musical notation
Copyright: 2024
ISBN: 9781761540271
Publication: 01 Mar 2024
Series: Indigenous Music, Language and Performing Arts
Size: 254 x 178 mm
Illustrations: Maps, family tree, photographs, musical notation
Copyright: 2024
ISBN: 9781761540271
Publication: 01 Mar 2024
Series: Indigenous Music, Language and Performing Arts