Sydney Publishing
Q&A with Madeline G.P. Robinson, author of Photogrammetry for Archaeological Objects: A Manual
Q&A with Carmel O’Shannessy and Myfany Turpin, co-authors of Yuupurnju: A Warlpiri Song Cycle
Carmel O’Shannessy is an Associate Professor at the School of Literature, Languages and Linguistics, Australian National University. She was resident in Lajamanu community for four years (1998–2001), working to support the teaching and learning of Warlpiri and English in the bilingual education program in the school.
Myfany Turpin is an Australian Research Council fellow at the Sydney Conservatorium of Music, the University of Sydney.
Q&A with John Tidmarsh, Author of After Alexander: The Hellenistic and Early Roman Periods at Pella in Jordan
Q&A with Gay Hawkins and Ben Dibley, Authors of Making Animals Public: Inside the ABC’s natural history archive
Q&A with Richard Twine, Author of The Climate Crisis and Other Animals
Q&A with Georgia Curran, editor of Vitality and Change in Warlpiri Songs
Q&A with Paul Eggert and Chris Vening, editors of The Letters of Charles Harpur and his Circle
Chris Vening is an independent researcher in Australian colonial culture and a major contributor to the Charles Harpur Critical Archive.
Paul Eggert FAHA is Professor Emeritus at Loyola University Chicago and the University of New South Wales. He is a scholarly editor, book historian and editorial theorist.
Q & A with Simon Chapman, author of Quit Smoking Weapons of Mass Distraction
Q & A with Peter Charles Gibson, author of Made in Chinatown
Peter Charles Gibson’s Made in Chinatown was published in March this year. The book delves into a little-known aspect of Australia’s past: its hundreds of Chinese furniture factories. We caught up with Peter to ask him a few questions about his motivations for writing the book, its significance and his writing process.
Q & A with Denise Varney, author of Patrick White’s Theatre
Denise Varney is Professor of Theatre Studies at the University of Melbourne, where she teaches Australian theatre and performance, and modern and contemporary drama. Her new book, Patrick White’s Theatre: Australian Modernism on Stage, 1960–2018, explores how White’s plays have been staged and received over a period of 60 years, and offers a new analysis of his place in wider Australian modernist and theatrical traditions.
Image: a production of The Ham Funeral by Patrick White, State Theatre Company of South Australia.
Q & A with Melissa Kennedy, editor of A Land in Between
Melissa Kennedy is a Research Associate at the University of Western Australia for the Project Aerial Archaeology in the Kingdom of Saudi Arabia. She is the editor of A Land in Between: The Orontes Valley in the Early Urban Age, a book which documents the material culture and socio-political relationships of the Orontes Valley and its neighbours from the fourth through to the second millennium BCE (photo from the author archives).
Q & A with David Brooks, author of Animal Dreams
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